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Mochica Culture

     

The Moche civilization (alternately, the Mochica culture, Early Chimu, Pre-Chimu, Proto-Chimu, etc.) flourished in northern Peru from about 100 A.D. to 800 A.D., during the Regional Development Epoch. While still the subject of some debate, many scholars contend that the Moche were not politically organized as a monolithic empire or state but rather as a group of autonomous polities that shared a common elite culture as seen in the rich iconography and monumental architecture that survive today. They are particularly noted for their elaborately painted ceramics, gold work, monumental constructions (huacas) and irrigation systems Moche history may be broadly divided into three periods – the emergence of the Moche culture in Early Moche (AD 100–300), its expansion and florescence during Middle Moche (AD 300–600), and the urban nucleation and subsequent collapse in Late Moche (AD 500–750). Moche society was agriculturally based with a significant level of investment in the diversion of river water into a network of irrigation canals. Their culture was sophisticated and their artifacts document their lives with detailed scenes of hunting, fishing, fighting, sacrifice, sexual encounters and elaborate ceremonies.
The Moche cultural sphere is centered around several valleys on the north coast of Peru – Lambayeque, Jequetepeque, Chicama, Moche, Virú, Chao, Santa, and Nepena. The Huaca del Sol, a pyramidal adobe structure on the Rio Moche, had been the largest pre-Columbian structure in Peru; however, it was partly destroyed when Spanish Conquistadors mined its graves for gold. Fortunately the nearby Huaca de la Luna has remained largely intact – it contains many colorful murals with complex iconography and has been under excavation since the early 1990s. Other major Moche sites include Sipan, Pampa Grande, Loma Negra, Dos Cabezas, Pacatnamu, San Jose de Moro, the El Brujo complex, Mocollope, Cerro Mayal, Galindo, Huancaco, and Panamarca
Moche pottery is some of the most varied in the world. The use of mold technology is evident which would have enabled the mass production of certain forms. But despite this, they had a large variation in shape and theme with most important social activities documented in pottery including war, sex, metal work, and weaving.
Given the unusual emphasis on life-like depictions on the famous elite portrait vases, some have suggested that individuality was an important aspect of Moche political culture. The pottery itself, at least to the Mochicans, are representations of life. Some think that the Moches made erotic pottery because they were obsessed with sex, but the Moche people themselves find this as an insult. If you take a close look at all the pottery that has been found, they not only have amazing and great detail, but show how the Moche people lived their lives day by day. As for the "erotic" pottery that some find offensive, they must remember that pottery is how most people from ancient cultures showed other generations their lives.
The coloration of Moche pottery is often simple, with yellowish cream and rich red used almost exclusively on elite pieces, with white and black used in only a few pieces. Their adobe buildings have mostly been destroyed by looters and natural forces over the last 1300 years, but the huacas that remain show that the coloring of their murals was very vibrant.
The textiles were woven and made mostly from cotton that were dyed from items that were found from nature. Even though there are very few examples of this, the pure Moche people still have the knowledge of their ancestors and how they prepared their clothing
Both iconography and the finds of human skeletons in ritual contexts seems to indicate that human sacrifice played a significant part in Moche religious practices. These rites appear to have involved the elite as key actors in a spectacle of costumed participants, monumental settings and possibly the ritual consumption of blood. While some scholars, such as Christopher Donnan and Izumi Shimada, argue that the sacrificial victims were the losers of ritual battles among local elites, others, like John Verano and Richard Sutter, suggest that the sacrificial victims were warriors captured in territorial battles between the Moche and other nearby societies. Excavations in plazas near Moche huacas have found groups of people sacrificed together and skeletons of young men deliberately excarnated, perhaps for temple displays. The Moche may have also held and tortured the victims for several weeks before sacrificing them, with the intent of deliberately drawing blood. Verano believes that some parts of the victim may have been eaten as well in ritual cannibalism. The sacrifices may have been associated with rites of ancestral renewal and agricultural fertility. Moche iconography features a figure scholars have nicknamed the 'Decapitator' or Ai Apaec, it is frequently depicted as a spider, but sometimes as a winged creature or a sea monster, all three features symbolizing land, water and air. When the body is included, it is usually shown with one arm holding a knife and another holding a severed head by the hair. The 'Decapitator' is thought to have figured prominently in the beliefs surrounding the practice of sacrifice

There are several theories as to what caused the demise of the Moche political structure. Some scholars have emphasised the role of environmental change. Studies of ice cores drilled from glaciers in the Andes reveal climatic events between 536 to 594 AD, possibly a super El Niño, that resulted in 30 years of intense rain and flooding followed by 30 years of drought, part of the aftermath of the climate changes of 535–536. These weather events could have disrupted the Moche way of life and shattered their faith in their religion, which had promised stable weather through sacrifices.
However, it is clear that these events did not cause the final Moche demise. Recently discovered evidence suggests that the Moche polities survived beyond 650 AD in the Jequetepeque Valley and the Moche Valleys. For instance, in the Jequetepeque Valley, later settlements are characterized by fortifications and defensive works. While there is no evidence of a foreign invasion, as many scholars have suggested in the past (i.e. a Huari invasion), there is some evidence of social unrest, possibly the result of climatic changes as factions fought for control over scarce resources

 
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